Children of Blood and Bone by Toni Adeyemi #BookReview

Cover of Children of Blood and Bone by Toni Adeyemi
Cover of Children of Blood and Bone by Tomi Adeyemi

I really wanted to love Children of Blood and Bone by Toni Adeyemi, but the themes and tropes all felt very cliched and overdone while reading it. I honestly felt as if I was rewatching every YA and Fantasy film I’ve ever loved blended and pureed into oblivion and then served to me tied up in a neat “diverse” bow.

To make matters worse, Adeyemi’s book was served up on a gilded platter in 2018 readers as the “diverse reading pick of the year” when it was merely a decent read that just happened to fill the void in a sea of whiteness that year.

Adeyemi’s book runs off the idea that magic is forbidden, and those who are maji, or magic-users, are hated and hunted. These characters are called things, like “maggots,” and live under oppressive systems or are just outright killed. Zélie, the main character in Children of Blood and Bone, is a part of the maji group. Along with her brother are on the run as they’re being pursued by Inan, who is the prince of their land. Inan is our usual male protagonist for fantasy with a “heavy burden” in life to uphold his tyrannical father’s genocidal beliefs. And of course, with this description, it is apparent that Zélie and Inan must fall in love at some point…insert eye roll here…

To put it plainly, Children of Blood and Bone was too long and too drawn out to match the hype it been given. However, I can’t lie and say that the book wasn’t on trend for what’s hot in pop culture and the YA genre right now.

Author, Toni Adeyemi

For instance, I know that the religion that deals with Orïshas has just hit mainstream culture thanks to Beyonce’s Lemonade visual album. Due to this, everyone and their mother was scrambling to find a connection to these sacred figures in some way or other as a means to get “inspired” in their art. Still, Tomi Adeyemi’s usage of religion as a means of being the precursor to magic in the book just fell flat for me. With the overuse of the Orishas and the many poorly written and angsty passages that kept getting repeated, I felt as if I was being beaten over the head by this plot device.

Likewise, the character development in the book was too drawn out for me. The teenage angst in this book was drawn out thanks to the repetitive scenes and the book’s length. In a way, I almost wish I could get to know the characters more because it feels as if they’ve all become too close, too quick in the way they are put together, causing a lot of their relationships between the four main characters to feel forced to me.

I know this will be an unpopular opinion, but I have to be honest and say, for me, this book was decent at best and overwritten at worst. That being said, after reading this first installment in the series, I hope that the filler passages get cut from the second book. If not, It would be nice if Adeyemi could find a way to balance out the “action” and “traveling” scenes and allows the characters to find a way to interact outside of combat. I think this would help round out the characters’ relationships and clear parts of the novel up where the world-building was murky. Having the characters tell the reader about the world they live in through daily interaction and good dialogue would allow us as readers to breathe in between fight scenes. Obviously, Adeyemi is a good writer, but she seemed to have thrown a lot into this first novel.

In terms of recommending this book, I think it’s a decent start to a fantasy series and will possibly pick up the second book. Regarding the Orisha element of the novel, though, I’d personally say American Street by Ibi Zoboi deals with representing these religious figureheads so much better.

Cover of American Street by Ibi Zoboi
Cover of American Street by Ibi Zoboi

In American Street, Zoboi mixes Haitian Voudon beliefs about their Loas with a Detroit setting to tell a gritty story about Fabiola, a young Haitian girl, as she tries to bring her mother home from the detention center she’s being held at since she is an immigrants. Zoboi’s writing style is impeccable and seamless as she fits together with the urban setting of Detroit with the mystical elements of her narrative. 

Unlike Adeyemi’s book, the pacing for American Street is streamlined and clean. This will keep readers from getting bored and from becoming frustrated with the teenage characters. Not to mention, the book is just amazing, and I would highly recommend it. Children of Bone and Blood not so much.

Punching The Air by Ibi Zoboi & Dr. Yusef Salaam #BookReview

“𝘈𝘭𝘭 𝘢𝘳𝘵 𝘪𝘴 𝘢 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘤𝘰𝘯𝘧𝘦𝘴𝘴𝘪𝘰𝘯, 𝘮𝘰𝘳𝘦 𝘰𝘳 𝘭𝘦𝘴𝘴 𝘰𝘣𝘭𝘪𝘲𝘶𝘦. 𝘈𝘭𝘭 𝘢𝘳𝘵𝘪𝘴𝘵𝘴, 𝘪𝘧 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦 𝘵𝘰 𝘴𝘶𝘳𝘷𝘪𝘷𝘦, 𝘢𝘳𝘦 𝘧𝘰𝘳𝘤𝘦𝘥, 𝘢𝘵 𝘭𝘢𝘴𝘵, 𝘵𝘰 𝘵𝘦𝘭𝘭 𝘵𝘩𝘦 𝘸𝘩𝘰𝘭𝘦 𝘴𝘵𝘰𝘳𝘺; 𝘵𝘰 𝘷𝘰𝘮𝘪𝘵 𝘵𝘩𝘦 𝘢𝘯𝘨𝘶𝘪𝘴𝘩 𝘶𝘱.” ― 𝘑𝘢𝘮𝘦𝘴 𝘉𝘢𝘭𝘥𝘸𝘪𝘯

𝐅𝐞𝐥𝐥𝐨𝐰 Readers, 𝐰𝐡𝐚𝐭 𝐦𝐚𝐤𝐞𝐬 𝐚 𝐛𝐨𝐨𝐤 𝐬𝐭𝐚𝐧𝐝 𝐨𝐮𝐭 𝐭𝐨 𝐲𝐨𝐮?

Over the last month, I had the chance to read Punching The Air by Ibi Zoboi and Dr. Yusef Salaam thanks to the kindness of Harper Collins and Karina @AFirePages.  As an avid Ibi Zoboi fan and an admirer of the tenacity of the Exonerated Five, getting an ARC of this book was one of the highlights of my year.

Zoboi and Dr. Yusef Salaam book follows the story of Amal, a sixteen-year-old Black artist, who is convicted of a crime of aggravated assault against a White boy. But, Amal’s real crime stems from being born Black.

According to the Institute for Crime & Justice Policy Research “the U.S. currently houses the world’s largest prison population,” with Blacks having a conviction rate that’s “five times higher” than their White counterparts. And, thanks to the Supreme Court decision in United States v. Booker in 2005, which gave judges more discretion over sentencing and imposing harsher or more lenient sentences than the U.S. Sentencing Commissions guidelines called for, judges have now found it easier to punish BIPOC men, like Amal.

Thus, when readers see Amal claiming his innocence in court and being convicted to a harsh sentence at a young age, it hurts. As a minority reader, you will more than likely not only remember Dr. Yusef and the Exonerated Five’s case, but probably can also relate to Amal’s plight because you remember the a loved one or friend who’s also experienced harsh sentencing and lost years behind bars.

What I enjoyed most about this #OwnVoice novel in verse is that it is not only raw and real, but it feels honest. Amal is a character that I saw my brother, cousins, and nephews in. He is a boy who has high hopes, but gets painted as a monster by society instead of embraced for his art and potential.

The White educators and lawyers in his life masquerade as these Anti-racist figures and do-gooders, but when their feet are held to the fire, they act in their own self-interest.

Zoboi and Dr. Salaam’s book is an essential read, and I hope that you also pick it up and read it alongside Just Mercy by Bryan Stevenson and The New Jim Crow by Michelle Alexander.