My Favorite 2021 Emmy Outfits as Books – #BookishMemes 

Top Ten Tuesday was created by The Broke and the Bookish in June of 2010 and was moved to That Artsy Reader Girl in January of 2018. It was born of a love of lists, a love of books, and a desire to bring bookish friends together.

How it works:

She assigns each Tuesday a topic and then posts her top ten list that fits that topic. You’re more than welcome to join her and create your own top ten (or 2, 5, 20, etc.) list as well. Feel free to put a unique spin on the topic to make it work for you! Please link back to That Artsy Reader Girl in your own post so that others know where to find more information.

Happy Tuesday, bookish peeps!

I didn’t come to you on Sunday for our weekly chat thanks to recovering from being ill, trying to finish my weekly homework, and keeping one eye on the Emmy’s.

This may sound strange, but after the disaster that was 2020, I honestly felt as if American television got some of the best screenwriting and acting that I’ve seen in a long time. So, I was looking forward to the Emmy’s this year.

I had so many hopeful wins for the awards, but fate had other plans.

To hold on to the Television and “Red Carpet” Magic a little longer, I put together a possibility pile for my Fall TBR list based on my favorite looks from the Emmy’s red carpet.

Have a peek!

Did you watch the Emmy’s? 

Nicole Byer

Host of “Nailed It!” and Comedian, writer, and actress, Nicole Byer, wore Christian Siriano and looked stunning from head to toe! This was by far my favorite look of the night.

Byer’s look has been paired with Fiebre Tropical by Juliana Delgado Lopera. Lopera’s novel recently won a Lambda Literary Award in 2021. This novel is a bildungsroman about a Columbian teenager uprooted from Bogotá to Miami and has a sexual awakening while also dealing with mental health issues and questioning her faith.

Olatunde Olateju Olaolorun “O-T” Fagbenle

Olatunde Olateju Olaolorun “O-T” Fagbenle, from “Handmaiden’s Tale,” wore my second favorite look of the night, a modernized traditional Nigerian agdaba in black and red making a bold statement with the simplicity of his look and the richness of the outfit’s color.

I paired Fagbenle’s outfit with Ring Shout by P. Djeli Clark, a historical fiction horror novella that rewrites the history of the Ku Klux Klan, adding a supernatural twist. It’s perfect for the spooky season and giving a giant middle finger to racism. Clark’s novel is peppered with awards, such as the Locus and Nebula Award for Best Novella in 2021 and a nominee for the Hugo and Shirley Jackson Award in 2021 and 2020, respectively.

Taraji P. Henson

My favorite auntie in my head, Taraji P. Henson, wore a showstopping black & white sheer number from one of my favorite designers, Elie Saab.

To continue with the theme of the drama, her outfit has been paired with Fernanda Melchor’s cult favorite from the Bookternet, Hurricane Season. Melchor’s work was translated from Spanish by Sophie Hughes. Equal parts mythology, horror story, and mystery, Melchor tackles how violence is visited on women’s bodies and how hate spreads in a community.

Awkwafina & Michaela Jaé “Mj” Rodriguez

The next two stars had my favorite color palettes of the night. Awkwafina looked stunning in her deep-V neck Turquoise Monique Lhuilier dress while presenting at the Emmys. Michaela Jaé “Mj” Rodriguez (who was robbed of her Lead Actress in a Drama Series) wowed in a one-shoulder light turquoise Atelier Versace dress.

I paired Awkwafina’s look with the memoir, The Magical Language of Others by E.J. Koh and MJ’s look with Island Queen by Vanessa Riley. Both books are high up on my TBR List and have breathtaking covers, just like these two women’s beautiful gowns.

Write the tale that scares you, that makes you feel uncertain, that isn’t comfortable. I dare you — in a world that entices us to browse through the lives of others to help us better determine how we feel about ourselves, and to in turn feel the need to be constantly visible, for visibility these days seems to somehow equate to success — do not be afraid to disappear from it, from us for a while, and see what comes to you in the silence. ... I dedicate this story to every single survivor of sexual assault. - Michaela Coel, Acceptance Speech 

Michaela Coel

The win that I was most excited for outside of MJ’s category was Michaela Coel, who took home an Emmy for Outstanding Writing for a Limited or Anthology Series or Movie. Not only did Coel star in the award-winning show I May Destroy You, but she also created, wrote, and co-directed this masterpiece.

I can’t even express how much care Coel and her cast and crew took with I May Destroy You. It tells the story of sexual trauma about a group of Millennial friends in the UK who are combatting the aftermath of being in sexual relationships that have left them scarred. Spanning a range of emotions, Coel’s limited series should be watched in small doses if you want to protect your feelings. This is like Marlon James’ first novel, A Brief History of Seven Killings, which also has a rich and diverse cast of characters.

Winner of the 2015 Booker Prize and American Book Award, A Brief History of Seven Killings spans several decades from the streets of Kingston, Jamaica, in the 1970s to New York in the 1980s and back to Jamaica. Like Coel, James is a visionary and deserves all the accolades he’s been given. So, read this book pronto.

Jon Batiste & Leon Bridges 

Honestly, I’m really just here for the multi-talented musician Jon Batiste’s suit, which was custom-made and had images from the horrific 2005 storm, Hurricane Katrina, in a mosaic. This is a moment in history I’ll never forget as a resident of the Gulf states. 

Batiste and fellow musician Leon Bridges sang “River” as a part of the “In Memoriam” tribute at the Emmy’s. Bridges is one of my favorite singers because of the silkiness of his voice. Check out his new album, Gold-Diggers Sound!

To mirror Batiste’s suit, I chose a mosaic book cover of Jagua Nana by Cyprian Ekwensi. Ekwensi’s story speaks to the aging of the title character as she starts to enter her twilight years in Lagos even though she is still bent on having a good time.

Robin Thede

Robin Thede is the best part of HBO’s A Black Lady Sketch Show with her transformation from “homegirl” to a “zombie” to the being a member of a financially literate gang. Whatever her character, you best believe she keeps me laughing. Thede exchanged her comedic duds for this showstopping seafoam green Jason Wu dress.

Much like the newly released mystery Dead Dead Girls by Nekesa Afia, Thede’s dress’ silhouette is giving me just a hint of drama while staying classic, and I adore it!

Dan Levy

Dan Levy’s royal blue Valentino Haute Couture suit made me stop and question where he was going in this ensemble. The lines! The draping! The color! Fashion-wise, Levy is giving a lot more than most of the men at the Emmy’s gave for me. So, he made this list by default. 

I also love that this cover so effortlessly matches Dream Country by Ashaye Brown. Brown’s story about the feuding siblings who also happen to be the gods of sleep, dreams, and nightmares is a top TBR pick for me. As we’ve already established, fantasy novels are my jam. But, Brown’s blend of Kenyan, Brazilian, Caribbean, and Grecian cultural references is just calling me to pick up this book sooner rather than later.

Yara Shahidi 

Yara Shahidi wore an emerald green Dior Haute Couture dress in a classic off-the-shoulder silhouette, and I lived! It’s rare, though, that her stylist, Jason Bolden, ever gets her looks wrong. Of course, because this look is so iconic and effortless, I had to pull a book off my shelves that could match it tit for tat. 

This book is Minutes Of Glory and Other Stories by Ngũgĩ wa Thiong ’o. Thiong’o is a master memoirist, novelist, and playwright from Kenya. This writer’s short story collection spans from “the period of British colonial rule and resistance in Kenya to the bittersweet experience of independence.” If you love getting a story in short bits that pack a punch, get this collection!\

Do you see any books or looks you like?

Don’t forget to comment, like, and subscribe! #AllOfTheThings

Have I Read Too Many Books?

Sunday Chat: Have I Read Too Many Books?

Banner by @IntrovertInterrupted

Happy Sunday, bookish people!

It’s been a week since we spoke last, and I’ve got to say that I missed you all. 

I hope you’ve all been doing well and enjoying your current reads.

Since we last chatted, I’ve been in a tiny bit of a reading slump. And you know what that means 🤗 television time!

In addition to watching the Paralympics, I’ve been catching up on my Netflix queue. If you’re into academic dramedies, I highly recommend The Chair. For fans of Grey’s Anatomy, Sandra Oh is back as The Chair’s leading lady. 

For those of you who haven’t ever seen Oh in action on Grey’s Anatomy as the brillant and fiery Christina Yang, M.D., Ph.D., F.A.C.S, watching it is an excellent way to get over a reading slump. Thanks to the show being just as chaotic and engrossing as any book you’ll find on the market now. 

In fact, watching Grey’s Anatomy is how I ended up with todays’ Sunday Chat topic.

What does Grey’s Anatomy have to do with reading?

Christina Yang Quote Meme:

-“Oh, screw beautiful. I’m brilliant. If you want to appease me, compliment my brain.”

-“I am laughing, just not externally.”

-"If there's nano food, I'm going home."

I am Christina Yang

Grey’s Anatomy is the original show that put Shonda Rhimes on the map in 2005. Afterward, Rhimes made shows like Scandal and How to Get Away With Murder and, now, Bridgeton from her production company Shondaland TV.

On Rhimes’ original show, a group of medical professionals is followed as they go through their workday at Seattle Grace Hospital. 

Here, affairs happen. Marriages fall apart. LVAC wires get cut. And, at the end of each season, like clockwork, a huge disaster occurs, and I’m left wondering why nobody ever issues a class-action medical malpractice suit against the doctors at this hospital.

Watching Grey’s Anatomy is a perfect example of how reading has screwed up my ability to be shocked by the plot twist in most storylines. 

Do you all ever feel like you’ve read so many books that very little surprises you when you’re reading or watching television?

I’ve been an avid reader for nearly 25 years, and I’ve started to come to the conclusion that very few stories can surprise me now.

Like with Grey’s Anatomy, I’ll be watching a television show or reading a book and instantly start picking out tropes within the first few episodes or pages and guess how it ends. When this happens, it’s rare that I don’t get at least one guess right.

Even though the guessing can be fun, I can’t help but wonder if reading is making me immune to being as engrossed in stories as I once was before I became an avid reader.

What has been will be again,
what has been done will be done again;
there is nothing new under the sun.

– Ecclesiastes 1:9

Silly, I know. But, nowadays, I feel as if I’m watching stories appear on loop just with interchangeable characters and settings – I’ll know where the characters are going to end up even if I don’t know how they always get there.

I instantly get excited when I happen upon an author writing from a fresh perspective and telling a story that feels new to me.

If I’m being honest, sometimes I feel like I’m chasing the magic that came about when I first learned to read at this stage in my reading journey. That feeling of wonder that arose from opening a new book and escaping into a fictional world never ceased to amaze me back then.

However, with the vast amounts of retellings, fairytale adaptations, and spins on the same plot points, I miss the joy of being genuinely shocked when I read an original new story, which is why I love fantasy novels and romance books so much. This mostly has to do with the creativity of authors from this genres to get their characters from point A to B while keeping me guessing. Even a simple love story can see an author getting creative to build a connection between their leads.

That being said, while I’ll always love reading, I do get the feeling at times that my hobby has left me feeling like very few things can shock me when it comes to the art of storytelling. But, I love when it does happen.

Does anyone else feel this way?

If you want to read a few of my favorite books that have “wowed” me, checkout my review of Blood Like Magic by Liselle Sambury and the accompanying interview with Sambury!

Sunday Vibes Banner

This week’s vibes are songs I’ve had in my playlist rotation for almost two weeks. The music videos for each song have a “plot twist” I didn’t see coming based on the song. Due to some trigger warnings, I won’t link the videos, though. You can click on the YouTube link to watch when you get a chance.

Songs: “Foreign Things” by Amber Mark & “Questions (feat. Don Jazzy)” by Burna Boy

Who Gets To Write Certain Stories

Sunday Chat: Who Gets To Write Certain Stories?

Banner by @Introvert Interrupted

I hope each of you had an amazing weekend and are having a wonderful start to your week!

Forgive me for not posting my usual Sunday Chat blog post this past weekend. 

Life got a bit hectic with my first week of assignments being due and the prospect of Hurricane Ida barreling down on us here in the Gulf States. Needless to say, my attention was elsewhere.

Thankfully, my family is all okay with us just experiencing a few minor flooding issues. For all you readers who were in the direct path of the storm, I hope you all are safe and doing well!

With the preparation for the storm and my continued anxiety over going back onto campus, I’ve been seeking out comfort reads.

Last year, I did a post of some of my favorite comfort reads, and as I’ve been reflecting on why I loved some of them and revisiting them, I’ve realized not all of my comfort reads have stood the test of time.

A comfort Read That I’ve Been Rethinking

For instance, one of my favorite books from my middle school reading list was Shabanu, Daughter of the Wind by Suzanne Fisher Staples. In the book, Fisher, a retired white news reporter and editor for the United Press International, tells the story of Shabanu, the second daughter of desert nomads in Pakistan. After an incident with wealthy landowners occurs, Shabanu, who is twelve-year-olds at the start of the series, is married off as a child bride to keep the peace. 

Along with Haveli, the second novel in the series, Shabanu, Daughter of the Wind was my go-to book as a tween. The idea of getting to read about other cultures and seeing how other people around the world lived was something I’ve always craved as a reader. 

At the time, I interpreted Shabanu’s story to simply be about a free-spirited girl who was able to explore the Cholistan Desert, a place I’d never heard of until I read the book. I relished her ability to be free to seek out adventure up until the point that she was forced to marry.

Being able to see life through Shabanu’s eye was eye opening as a kid. And it was why I cherished the book king after I outgrew it.

The authenticity of the story and author’s right to tell that particular story is something I never thought of until I entered high school and had a Pakistani classmate bring into question the authenticity of Shabanu’s story. 

The only problem was who was telling Shabanu’s story.

Author, Suzanne Fisher Staples
Author, Suzanne Fisher Staples

Staples was a white woman from Philadelphia who had only visited Pakistan as a reporter and editor. Her writing was limited to the knowledge of what her host family told her, which means that Staples was effectively telling Shabanu’s story through a secondhand lens. 

So, when my classmate told me that she wished Staples hadn’t made her culture look so bad (I’m paraphrasing since a particular cuss word was used and I have older readers I want to be respectful of), a little of the luster went out of the book for me. 

Shabanu, Daughter of the Wind and Haveli are both feminist stories at their core. And they told a story that during the 1980s and mid- 2000s wasn’t largely being told about Islamic women.

But, did Staples have the right to tell these stories?

Based on a quote in Publisher’s Weekly from 2000, Staples claims that all her books “are made up of real stories about real people.” Staples even had a picture she showed the interviewer of the thirteen-year-old girl that Shabanu was modeled after. 

This unnamed girl’s story and many other Pakistani women were collected as Staples worked with a women’s literacy project in the country until she returned to work for the Washington Post. The women’s stories were kept in journals and used as the source material for Shabanu’s story, which won Staples the Newbury Honor award in 1990.

The accolades and book deals (Staples wrote six books with only one being written set in America) Staples acquired telling someone else’s story, who she openly admits lacked agency and free will to tell their own story in the Publisher Weekly interview once again drives home why #WeNeedDiverseBooks is so important.

It also left me wondering why did Staples not ever allow the young women from the literacy project she was a part of the chance to tell their own stories?

Also, would a BIPOC author have been showered with the same praise and idolization as Staples received for Shabanu, Daughter of the Wind if they’d released a similar book?

Case in point, In a 1989 book review for the New York Times, Maurya Simon said:

“It is a pleasure to read a book that explores a way of life profoundly different from our own, and that does so with such sensitivity, admiration and verisimilitude. Ms. Staples, who was a U.P.I. correspondent in Asia and has worked for The Washington Post, has surely accomplished a small miracle in the unfolding of her touching and powerful story. She has managed to present to her readers an engaging and convincing portrait of an adolescent girl who is alternately bewildered and exhilarated by her changing mind and body; at the same time, the author offers rich and provocative insights into a culture so distanced from rock videos and designer jeans as to seem extraplanetary. I hope her readers will gain from it a renewed sense of self and a deep respect for what is other.”

Difference what a BIPOC author gets to write vs. What white authors get to write

A part of me wants to chalk Simon’s use of phrases, like “rich and provocative insights into a culture” and “convincing portrait,” and the word “verisimilitude,” which means “the appearance of being real or true” up to this being a review from the ‘80s. However, I know better and the data the Cooperative Children’s Book Center at the University of Wisconsin-Madison puts out yearly corroborates this fact.

Too often, the publishing industry wants BIPOC stories from authors who are white and not from an author of color or Indigenous background.

A white author can have a stamp in their passport, a degree on their wall, and the matching pedigree, or just have gone on vacation and gotten “inspired,” and voilà, they’ll be given the green light to become an expert on someone else’s culture.

A BIPOC author can have firsthand knowledge about who they are and their culture and be told they need to change their story to fit what a publisher thinks their audience wants in an #OwnVoices book.

And this differentiation of who gets to tell what stories, along with my classmate’s belief that her culture was done a disservice, is what keeps my tattered copies of Shabanu, Daughter of the Wind and Haveli shut tight on my shelves.

While the books hold a special place in my heart when I read them as a kid, I have iffy feelings about trying to read them now.

Do you all have any books like this on your shelves?

Unhauling Books: Letting Go of The Reader I Used To Be

"Sunday Chat" in Black rectangle with "Unhauling Books: Letting Go of The Reader I Used To Be" larger white rectangle 

All of the text is set against a boarder of book stacks.

Happy Sunday, bookish peeps! I hope you’ve been enjoying your weekend!

I’ve spent the last week rearranging my shelves and ended up unhauling over 153 books from my personal collection. While this was a small portion of my books, it got me thinking about how we as readers are constantly in this frame of mind where we feel like literary Pokémon trainers in our quest to buy and read all the books.

As an avid reader who shares a living space with others, my desire to read often outweighs my ability to acquire as many books as I would like. Not to mention, the constraints on my free time to read are limited when it comes to working and completing assignments for my grad school courses.

These two things end up leaving me in a bind.

According to Alexis C. Madrigal in an article for The Atlantic, as of 2010, Google calculated that there were approximately 129,864,880 books in the world. Likewise, based on a study the Pew Research Center did about the reading lives of Americans and a follow-up calculation from the Literary Hub website, I came to the conclusion that I, as a voracious reading 30-year-old woman, am only likely to read about 4,480 more books in this lifetime.

Meme:

"how many books are there in the world = 129,864,880" (man stares with tears in his eyes)

"how many books can you read in a lifetime" =4600 (man closes eyes and cries even harder)

Via: @FeministPress
Me realizing the number of books I can read in a lifetime

To see my reading life laid out in such bare terms, it finally clicked why so many people refuse to waste time on books that don’t excite them.

Taking all this into consideration, I finally decided to let go of books I always knew deep down in my heart that I was never going to read again. And from my collection of about 1500 books, I culled the teenage fiction, new adult, and non-fiction books that “didn’t spark joy” for me anymore.

What I found most interesting about the books I unhauled was that the majority of these books were from those early days of BookTube and high school. 

In 2010, when BookTube became popular, I would often buy books that were trending in the bookosphere with the intention of reading the books and just never get to them. This meant that when it came time to unhaul books from this era, I had a bunch of books that made me think of specific content creators I hadn’t watched in a while because they’d left YouTube (shout out to Tiffany from @Fat Shopaholic who put me onto Kiese Laymon’s books before they became a cultural staple) or from creators I just outgrew as I got older. Specific books that I found myself unhauling in this category were John Green books, dystopian YA fiction, and a lot of women’s fiction.

On the other hand, my unhauled books from my high school years mainly consisted of books from authors I no longer vibed with or just had outgrown (do you sense a theme?). This was interesting to see because, as a teen, I read an author’s entire backlist before moving onto the next author. So, when I got to unhauling books from this phase of my life, I noticed how much my taste had changed. Where I used to love a bubblegum YA romance or mystery book, I now find myself being much more selective in what I read.

While it was hard to let go of so many books, I couldn’t help but feel giddy at refocusing my mind to start enjoying more books that interest me on my TBR.

Drop down in the comments and tell me if you’ve unhauled any books lately or just how your reading taste have changed over the years?

Don’t forget to check out last week’s Sunday Chat on taking a break from social media when you get a chance and to like, comment, and subscribe!

Happy Reading! 

Sunday Vibes: “Fool For You” (Cee Lo Green cover) by Alice Smith & Dignity (ft. Yemi Alade) by Angelique Kidjo